Heart House
Heart House
The heart is the universal symbol for human emotion, which is why notions of closeness and vulnerability are expressed through this trope. Anything or anyone we adore is often referred to as “close to the heart.” One’s home is the most intimate built space that can be experienced, and Heart House is an architectural and sculptural allegory for this feeling of belonging. Each space in the house is a metaphor for the different members of the human heart, reflecting their functions and roles in oxygenating and recharging blood. The connectivity between the rooms of the house and their circulation paths are also akin to the movement of a blood molecule through the oxygenation process. This network generates a labyrinth of unique spaces, with both private nooks and expansive moments.
The heart is the universal symbol for human emotion, which is why notions of closeness and vulnerability are expressed through this trope. Anything or anyone we adore is often referred to as “close to the heart.” One’s home is the most intimate built space that can be experienced, and Heart House is an architectural and sculptural allegory for this feeling of belonging. Each space in the house is a metaphor for the different members of the human heart, reflecting their functions and roles in oxygenating and recharging blood. The connectivity between the rooms of the house and their circulation paths are also akin to the movement of a blood molecule through the oxygenation process. This network generates a labyrinth of unique spaces, with both private nooks and expansive moments.
My multi-hyphenated practice bridges gaps between tradition and innovation through a response to ancient narratives of Sikh literature and Punjabi folklore. These stories have generated a lexicon of nature-inspired motifs and themes that explore fantasia while relating back to the mundane.
Over a range of mediums, including sculpture, embroidery, traditional painting, writing, and architecture, I create surrealist spaces infused with bubbles of reality in which one experiences both the other-worldly and the familiar. My visual work tells stories through Western and Eastern iconography while referencing mysticism and mythology. The resulting aesthetic combines influences from South-Asian miniature paintings and photorealistic imagery, creating story webs of figurative characters and ultra-fine detail.
Having received a rigorous education in Architecture and working as an Architect have inspired a defined sense of space into my two-dimensional worlds. The spatial formation and architectural references in my imagery are inspired by the built environment of Punjab and the various styles that constitute it, including Persian and Mughal.
Musically, I have been devoted to training within Dhrupad and Khayāl vocals, two schools of Indian Classical Music. The former is the keystone of Sikh music through which the Sikh Gurus explored deep spiritual mysteries. My formal training has influenced my own operation of electronic jazz. I combine my classical understanding of rhythm and melodic modes (rāgas) with Western sound production to share my music through digital media and live performance.
This interlace between present and past creates pentimento, resulting in multilayered experiences that build upon each other. My community’s history is at the forefront of my work and my aim is to evolve its ancient treasures and give them an honourable space within artistic spheres.
Keerat Kaur